Comment about "do" (was clickLine/clickcharchunk)

Richard Gaskin ambassador at
Wed May 8 11:01:18 EDT 2013

dunbarx wrote:

 > You can:
 > put foo into the clickLine --and insert foo into a line in a field
 > You cannot:
 > get the clickLine
 > put whatever into it  -- and expect that foo will be inserted into
 > a line in a field
 > The foo will go into the variable it, not into the evaluated contents
 > of it, which is a string containing a "valid" clickLine reference.

Maddening, but understandable.

Remember, we're talking about a machine too stupid to count past 1, so 
we need to be very explicit about our intentions, sensitive to its 
delicate nature. :)

In the first case, here's what the machine does:

    1. determine the clickLine
    2. put the value into that text position in the object

In the second case, it's doing something very different:

    1. determine the clickLine
    2. store that in the local variable "it"
    3. put a different value into the local variable "it"

 > So you have to use a "do" construction. HyperTalk.  With LiveCode's property-driven syntax options, this 
works well:

   get the clickLine
   set the text of it to "whatever"

Here, the engine is doing:

   1. determine the clickline
   2. store that in the local variable "it"
   3. "set" only works on object elements, so:
      3a. determine if "it" is actually a valid element reference
      3b. if so, set the specified property of that element
      3c. if not, complain by throwing an error

At the heart of this is the ambiguity introduced with "put":

Sometimes "put" means setting the text of a container object, but 
sometimes it means setting the value of a variable.

When you use it directly with a function call, no variable is involved 
so it can figure out what you mean.  But once a variable is introduced 
it gets confused, since the "put" command is also used for variable 

In contrast, "set" can only be used to assign property values to object 
elements, so the engine has no difficulty figuring out your intentions.

  Richard Gaskin
  Fourth World
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